The Red Wheelbarrow
William Carlos Williams

so much depends 
upon 

a red wheel 
barrow 

glazed with rain 
water 

beside the white 
chickens. 

The Great Figure
William Carlos Williams





5




10 


Among the rain 
and lights 
I saw the figure 5 
in gold 
5 on a red 
fire truck 
moving 
tense 
unheeded 
to gong clangs 
siren howls 
and wheels rumbling 
through the dark city. 

Spring and All
William Carlos Williams





5




10




15




20




25 

By the road to the contagious hospital° 
under the surge of the blue 
mottled clouds driven from the 
northeast—a cold wind. Beyond, the 
waste of broad, muddy fields 
brown with dried weeds, standing and fallen 
patches of standing water 
the scattering of tall trees 
All along the road the reddish 
purplish, forked, upstanding, twiggy 
stuff of bushes and small trees 
with dead, brown leaves under them 
leafless vines— 
Lifeless in appearance, sluggish 
dazed spring approaches— 
They enter the new world naked, 
cold, uncertain of all 
save that they enter. All about them 
the cold, familiar wind— 
Now the grass, tomorrow 
the stiff curl of wildcarrot leaf 
One by one objects are defined— 
It quickens:° clarity, outline of leaf 
But now the stark dignity of 
entrance—Still, the profound change 
has come upon them: rooted, they 
grip down and begin to awaken 

Making Meanings
Poems by William Carlos Williams

1. In “The Red Wheelbarrow” Williams says “so much depends” on an ordinary, workaday wheel-barrow. Do “The Great Figure” and “Spring and All” also focus on the very ordinary things in life? Explain. 
2. The painter Charles Henry Demuth (1883–1935) was so moved by the dynamic imagery in “The Great Figure” that he painted The Figure Five in Gold (see the Image Gallery). What movement do you see in the painting? What do you hear in the poem itself? 
3. How would the feeling of “The Great Figure” change if the colors were different? Try it. 
4. What significance can you find in the title “Spring and All”? 
5. The first three stanzas of “Spring and All” are about plants. The pronoun in line 16, however, may refer to more than plants. What broader meaning might the word they have? 
6. Reread the last stanza of “Spring and All.” Which two meanings of the word still make line 25 a paradox ? (A paradox is a statement that appears self-contradictory but that reveals a kind of truth.) 
7. As a physician, Williams delivered thousands of babies. Can you see any connections between that fact and the last three stanzas of “Spring and All”? What references would apply equally to the coming of spring and the birth of an infant? 
8. The famous opening of The Waste Land, by T. S. Eliot, declares that “April is the cruelest month.” Would the speaker of “Spring and All” agree with this view of the start of spring? Explain. 
9. If you were an artist and wanted to paint what you see and feel in any of these poems by Williams, what images and feelings would you focus on? What colors would you use?

Choices

1. Collecting Ideas for an Interpretive Essay

Jot down some notes about Williams's use of concrete objects to make you think in new ways about people, art, or life in genera.

2. An Imagist Poem

Write a brief imagist poem describing some subjects from your everyday life. Before you write, reread what Williams says in his comments on poetry on page 780. Strive to capture a thing and a moment as precisely as you can.

3. Picture Poem

Find a painting or photograph that interests you (perhaps one from this book). Write a six-line poem describing the images you see in the picture. Try to record details exactly as they are, without using them as symbols or ascribing any significance to them beyond the fact that they simply are what they are.

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